|
|
|
|
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
970630 |
| 005 |
20251002152956.1 |
| 008 |
250304t20252025nyu e 000 1 eng d |
| 019 |
|
|
|a 1541853460
|
| 020 |
|
|
|a 9781668204269
|q (hardcover)
|
| 020 |
|
|
|a 1668204266
|q (hardcover)
|
| 035 |
|
|
|a (OCoLC)1504536994
|z (OCoLC)1541853460
|
| 040 |
|
|
|a IG#
|b eng
|e rda
|c IG#
|d SMDRL
|d OCLCO
|d RNL
|d GRA
|d HBP
|
| 043 |
|
|
|a e-uk-en
|
| 049 |
|
|
|a UAGA
|
| 082 |
0 |
4 |
|a 823/.912
|2 23
|
| 092 |
|
|
|a DU MAUR
|
| 100 |
1 |
|
|a Du Maurier, Daphne,
|d 1907-1989,
|e author
|1 https://id.oclc.org/worldcat/entity/E39PBJrCdRhTDcMRtvVxRBpF8C
|0 http://id.loc.gov/authorities/names/n79109035
|
| 245 |
1 |
0 |
|a After midnight :
|b thirteen tales for the dark hours /
|c Daphne Du Maurier ; with an introduction by Stephen King.
|
| 246 |
3 |
0 |
|a After midnight :
|b 13 tales for the dark hours
|
| 246 |
3 |
|
|a 13 tales for the dark hours
|
| 246 |
3 |
|
|a Thirteen tales for the dark hours
|
| 250 |
|
|
|a First Scribner hardcover edition.
|
| 263 |
|
|
|a 202509
|
| 264 |
|
1 |
|a New York :
|b Scribner,
|c 2025.
|
| 264 |
|
4 |
|c ©2025
|
| 300 |
|
|
|a xv, 510 pages ;
|c 24 cm
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
| 505 |
0 |
0 |
|t The Blue Lenses--
|t Don't Look Now--
|t The Alibi--
|t The Apple Tree--
|t The Birds--
|t Monte Verita--
|t The Pool--
|t The Doll--
|t Ganymede--
|t Leading Lady--
|t Not After Midnight--
|t Split Second--
|t The Breakthrough.
|
| 520 |
|
|
|a "After Midnight brings together some of du Maurier's darkest, most haunting stories, ranging from sophisticated literary thriller to twisted love story. Alongside classics such as "The Birds" and "Don't Look Now," both of which inspired unforgettable films -- are gems such as "Monte Verità," a masterpiece about obsession, mysticism, and tragic love, and "The Alibi," a chilling tale of an ordinary man's descent into lies, manipulation, and sinister fantasies that edge dangerously close to reality. In "The Blue Lenses," a woman recovering from eye surgery finds she now perceives those around her as having animal heads corresponding to their true natures. "Not After Midnight" follows a schoolteacher on holiday in Crete who finds a foreboding message from the chalet's previous occupant who drowned while swimming at night. In "The Breakthrough," a scientist conducts experiments to harness the power of death, blurring the line between genius and madness."--
|c Provided by publisher.
|
| 650 |
|
0 |
|a Supernatural
|v Fiction.
|
| 650 |
|
0 |
|a Mental illness
|v Fiction.
|
| 655 |
|
7 |
|a Thrillers (Fiction)
|2 lcgft
|0 http://id.loc.gov/authorities/genreForms/gf2014026571
|
| 655 |
|
7 |
|a Romance fiction.
|2 lcgft
|0 http://id.loc.gov/authorities/genreForms/gf2014026516
|
| 655 |
|
7 |
|a Gothic fiction.
|2 lcgft
|0 http://id.loc.gov/authorities/genreForms/gf2014026360
|
| 655 |
|
7 |
|a Short stories.
|2 lcgft
|0 http://id.loc.gov/authorities/genreForms/gf2014026542
|
| 700 |
1 |
|
|a King, Stephen,
|d 1947-
|e writer of introduction.
|1 https://id.oclc.org/worldcat/entity/E39PBJdgVCJpMKHYMtkmw6v4MP
|0 http://id.loc.gov/authorities/names/n79063767
|
| 938 |
|
|
|a Ingram Library Services
|b INGR
|n in503434337
|
| 994 |
|
|
|a C0
|b UAG
|
| 999 |
f |
f |
|s 32985172-9426-44c9-befb-89292ffbb981
|i 16df233a-c3ea-4912-bcd7-2f05d3765050
|t 0
|
| 952 |
f |
f |
|p Standard Circulation
|a City of Spokane
|b Spokane Public Library
|c Branches
|d South Hill
|t 0
|e DU MAUR
|i New Adult Fiction
|m 37413322533805
|
| 952 |
f |
f |
|p Standard Circulation
|a City of Spokane
|b Spokane Public Library
|c Branches
|d Shadle
|t 0
|e DU MAUR
|i Adult Fiction
|m 37413322533797
|