Pretend we're dead

the rise fall and resurrection of women in rock in the '90s

Pretend we're dead

the rise fall and resurrection of women in rock in the '90s
Tanya Pearson
Book - 2025

"From the founder of the Women of Rock Oral History Project, an exploration of women in the '90s rock scene, featuring original interviews with Liz Phair, Shirley Manson, Kristin Hersh, Donita Sparks, Tanya Donelly, members of Hole, Luscious Jackson, Veruca Salt, Babes in Toyland, and more. In 2018, during an interview with journalist Tanya Pearson, Shirley Manson lamented: "It's a blanket fact that after September 11th, nonconformist women were taken off the radio." This comment echoed a reality Pearson had personally witnessed as a musician and a fan, and launched her into a quest to figure out just what happened to these extraordinary female figures. Pretend We're Dead seeks to answer two big questions: First, where did all these wildly different, politically conscious, and supremely talented women in rock come from in the 1990s? And second, after their unprecedented breakout, why did they vanish from the mainstream by the early aughts? Along with analysis and narrative, Pretend We're Dead is built on exclusive interviews with the unfiltered voices of legends including: Shirley Manson, Melissa Auf der Maur, Patty Schemel, Kate Schellenbach, Nina Gordon, Louise Post, Josephine Wiggs, Tanya Donelly, Kristin Hersh, Tracy Bonham, Donita Sparks, Liz Phair, Zia McCabe, Tracy Bonham, Lori Barbero, Josephine Wiggs, and Jill Emery. Through thought-provoking conversations, these women explore how they fell in love with music and started bands; fought labels, their coverage in the media, and sexism; and wrote deeply political and feminist music. Readers also learn about the effects of Woodstock '99, the corporatization of the music industry, the rise of Clear Channel and its ties to the Bush administration, and finally the nationalist sentiment after 9/11. While sonically diverse, these musicians all wrote fierce, socially conscious, feminist lyrics, and Pretend We're Dead commemorates and celebrates the overlooked contributions of true trailblazers."--Publisher.

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Barcode Status Material Type CallNumber
37413322338536 Available New Adult Non-Fiction 782.4216 PEARSON
Bibliographic Details
Main Author: Pearson, Tanya, 1980 or 1981- (Author)
Format: Book
Language:English
Published: New York, NY : Grand Central Publishing, 2025.
Edition:First edition.
Subjects:

MARC

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245 1 0 |a Pretend we're dead :  |b the rise, fall, and resurrection of women in rock in the '90s /  |c Tanya Pearson. 
246 3 |a Pretend we are dead 
250 |a First edition. 
264 1 |a New York, NY :  |b Grand Central Publishing,  |c 2025. 
264 4 |c ©2025 
300 |a vii, 248 pages, 16 unnumbered pages of plates :  |b illustrations ;  |c 24 cm 
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504 |a Includes bibliographical references and index. 
505 0 |a Introduction -- Part One. Fast and frightening -- The whole indsutry descended on us -- The hard thing was always the press -- Before we knew it, we were topping the charts -- Rock for choice -- Part Two. When it was time for the door to close, ti was shut -- Go on, take everything -- Pimps and hos -- We already have our lady group -- 'I'm a slave for you': Women in rock Post-9/11 -- We're taking back the narrative -- Acknowledgments -- Bibliography -- Notes -- Index. 
520 |a "From the founder of the Women of Rock Oral History Project, an exploration of women in the '90s rock scene, featuring original interviews with Liz Phair, Shirley Manson, Kristin Hersh, Donita Sparks, Tanya Donelly, members of Hole, Luscious Jackson, Veruca Salt, Babes in Toyland, and more. In 2018, during an interview with journalist Tanya Pearson, Shirley Manson lamented: "It's a blanket fact that after September 11th, nonconformist women were taken off the radio." This comment echoed a reality Pearson had personally witnessed as a musician and a fan, and launched her into a quest to figure out just what happened to these extraordinary female figures. Pretend We're Dead seeks to answer two big questions: First, where did all these wildly different, politically conscious, and supremely talented women in rock come from in the 1990s? And second, after their unprecedented breakout, why did they vanish from the mainstream by the early aughts? Along with analysis and narrative, Pretend We're Dead is built on exclusive interviews with the unfiltered voices of legends including: Shirley Manson, Melissa Auf der Maur, Patty Schemel, Kate Schellenbach, Nina Gordon, Louise Post, Josephine Wiggs, Tanya Donelly, Kristin Hersh, Tracy Bonham, Donita Sparks, Liz Phair, Zia McCabe, Tracy Bonham, Lori Barbero, Josephine Wiggs, and Jill Emery. Through thought-provoking conversations, these women explore how they fell in love with music and started bands; fought labels, their coverage in the media, and sexism; and wrote deeply political and feminist music. Readers also learn about the effects of Woodstock '99, the corporatization of the music industry, the rise of Clear Channel and its ties to the Bush administration, and finally the nationalist sentiment after 9/11. While sonically diverse, these musicians all wrote fierce, socially conscious, feminist lyrics, and Pretend We're Dead commemorates and celebrates the overlooked contributions of true trailblazers."--Publisher. 
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