Rendering in pen and ink
Rendering in pen and ink
Book - 1997
Contains illustrated information on the tools and techniques of ink drawing. Aimed at professional and student illustrators, architects and artists, this book reviews tonal and linear drawing, ways to depict light and shade, methods of handling object groupings, and other basics of composition.
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South Hill
| Barcode | Status | Material Type | CallNumber |
|---|---|---|---|
| 37413326637214 | 可用 | Non-fiction | 720.28 GUPTILL |
| 主要作者: | |
|---|---|
| 其他作者: | |
| 格式: | 圖書 |
| 語言: | English |
| 出版: |
New York :
Watson-Guptill Publications,
1997.
|
| 版: | Paperback edition. |
| 主題: |
MARC
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| 008 | 971017r19971976nyua 001 0 eng d | ||
| 020 | |a 0823045293 |q (paperback) | ||
| 020 | |a 9780823045297 |q (paperback) | ||
| 035 | |a (OCoLC)37798913 | ||
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| 092 | |a 720.28 GUPTILL | ||
| 100 | 1 | |a Guptill, Arthur L. |q (Arthur Leighton), |d 1891-1956, |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJgcYYVMdgrj8b8d4CYF8C |0 http://id.loc.gov/authorities/names/n50020339 | |
| 245 | 1 | 0 | |a Rendering in pen and ink / |c by Arthur L. Guptill ; edited by Susan E. Meyer. |
| 250 | |a Paperback edition. | ||
| 264 | 1 | |a New York : |b Watson-Guptill Publications, |c 1997. | |
| 264 | 4 | |c ©1976 | |
| 300 | |a 255 pages : |b illustrations ; |c 31 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a "60th anniversary edition"--Cover | ||
| 500 | |a Reprint. Originally published: New York: Watson-Guptill, 1976. | ||
| 500 | |a "The classic book on pen and ink techniques for artists, illustrators, architects, and designers"--Cover | ||
| 500 | |a "This book is profusely illustrated with over 300 drawings ..."--Back cover. | ||
| 500 | |a Includes index. | ||
| 505 | 0 | |a List of artist represented -- 1. Some introductory considerations -- Popularity of pen drawing -- Limitations of other media -- Limitations of the pen -- Developing a personal technique -- Commercial applications -- Other observations -- 2. Materials and tools -- Quill and reed pens -- Metal pens -- Penholders -- Penwiper -- Ink -- Papers -- Drawing board -- Thumbtacks -- Pencils -- Ruler -- Erasers -- Knife -- Erasing shield -- Brush or cloth -- Blotting paper -- Bottle holders -- 3. First exercises in pen handling -- Take your time -- Tools for your practice -- Setting up -- Holding the pen -- The first even lines -- Helpful exercises -- Vary the pressure -- Curved lines -- 4. Practice in tone building -- Examples -- Building tones with straight lines -- Drawing tones freely -- Combining lines -- Creating special tones -- 5. Elementary steps in value study -- Obtaining values in pen drawing -- Building gray values -- Grading tones -- 6. Kinds of outline and their uses -- Types of outline drawing -- Word for the draftsman -- Accented outline -- Objects in outline -- Objects in accented outline -- How to proceed with outline drawing -- Architecture in outline -- Other examples of outline work -- 7. First thoughts on light and shade -- Observation and analysis of form -- Select a simple object -- Reversing nature -- Two categories for objects -- Study these principles closely -- 8. Starting to draw in light and shade -- Working space -- Lighting -- Object stand -- Other equipment -- Selecting the subject -- Analyzing the subject -- Drawing the subject -- Tests -- Thumb measurement -- Value studies -- Inking -- Technique -- A practical problem -- Relating form to line direction -- More practice -- Table line -- Margin line -- Further study of straight line work -- Rounded shapes -- Memory sketches -- Textures -- Color -- 9. Drawing groups of objects -- Selecting objects -- Composing the objects -- Viewfinder -- Triangle in composition -- Other compositions -- Holding your position -- Warning to the teacher -- Value study -- Analyzing a value study -- Finishing up -- Vary the subjects -- Stylized or decorative work -- Balancing the lights and darks -- More practice in object drawing -- List of objects suitable for drawing -- 10. Basic principles of composition -- What is composition? -- Fulfilling the purpose -- Selecting the subject -- Unity -- Balance -- Center of interest -- Achieving emphasis with light and shade -- Achieving emphasis with details -- Achieving emphasis with contrasts | |
| 505 | 0 | |a 11. Drawing from photographs -- Selecting the photography -- Study the values -- The pen work -- A simple demonstration -- Cropping the photograph -- Recomposing the photograph -- 12. Studying work by other artists -- The ethics of copying -- Profiting without imitating -- Looking beyond technique -- Early errors -- Rosenberg and Booth : two extremes -- Griggs : tonal control -- Peixotto : delicacy of treatment -- Kent : boldness of treatment -- Neill : the imaginative drawing -- Flanagan : the shaped drawing -- Gibson, Flagg, and Grant : masters of technique -- Penfield : solid blacks -- Clarke : decorative treatment -- Birch : free line work -- Coll : elegant line work -- 13. Sketching outdoors -- Outdoor work with the pen -- Selecting the subject -- Using the viewfinder -- Composing the subject -- Lighting and the more finished drawing -- Advice to the architectural student -- Practical uses of outdoor sketching -- 14. Trees and other landscape features -- Learn about trees -- Selecting the subject -- Analyzing the subject -- Contours or silhouettes -- Values -- Proper techniques -- Shadows expressing form -- Groups of trees -- Studying tree skeletons -- Trees in motion -- 15. Drawing building details -- A word to the architect -- Starting with building details -- Stonework -- Brickwork -- Stucco or concrete -- Clapboards -- Shingles -- Roof indications -- Cornices and eaves -- Chimneys -- Shadows -- Windows -- Doors -- 16. Architectural rendering methods -- Function of architectural renderings --The initial perspective drawing -- Planning the rendering -- Determining direction of light -- Determining the key -- Obtaining the values -- Arranging values -- Concerning pen technique -- 17. Rendering the complete building -- Learning from the work of other artists -- Rosenberg : economy of means -- Yewell : using darks for contrast -- Lewis : controlling complex line work -- Powers : versatility in handling -- Price : darks for brilliance -- Keally : technique with a purpose -- Bearse : presenting the architectural concept -- diNardo and Dise : emphasis on architecture -- Long : air an sunshine -- Williamson : decorative rendering -- McSweeney : using the white paper -- Designing additional plans -- Drawing actual structures -- Nonresidential buildings -- 18. The larger architectural problem -- Placing the station point -- Eye level or horizon line -- Planning ahead -- Accessories -- Balancing the lights and darks -- Rendering technique -- Lockwood : renderings freely drawn -- King : preliminary studies -- Eppinghousen : the formal subject -- Goodhue : the complex subject -- Wilkinson : the elaborate subject -- Peixotto : simplifying detail -- Bosworth and Ring : two examples of detailed renderings -- 19. Interiors and their accessories -- Study interior items -- Exteriors vs. interiors : light and shade -- Exteriors vs. interiors. accessories -- Exteriors vs. interiors : textures -- Exteriors vs. interiors : perspective -- Draw individual pieces of furniture -- Sketchy treatment -- Natural values -- Distributing areas of interest -- The sketch -- The elevation -- Pen and wash -- 20. Special methods -- Using the brush like the pen -- Brush combined with pen -- Other uses of black --Split-hair brush work -- Dry brush -- Pen and gray wash -- Pen and pencil -- Spatter and stipple -- Using color -- Colored inks -- First attempts in color -- Setting up your materials -- Some general procedures in color -- Watercolor used like ink -- Other colored media -- Tinted papers -- Gallery. | |
| 520 | |a Contains illustrated information on the tools and techniques of ink drawing. Aimed at professional and student illustrators, architects and artists, this book reviews tonal and linear drawing, ways to depict light and shade, methods of handling object groupings, and other basics of composition. | ||
| 650 | 0 | |a Pen drawing. |0 http://id.loc.gov/authorities/subjects/sh85099340 | |
| 650 | 0 | |a Architectural rendering. |0 http://id.loc.gov/authorities/subjects/sh85006607 | |
| 650 | 0 | |a Drawing |x Study and teaching. |0 http://id.loc.gov/authorities/subjects/sh85039422 | |
| 650 | 0 | |a Pen drawing |x Technique. | |
| 655 | 7 | |a Pen drawing. |2 lcgft | |
| 700 | 1 | |a Meyer, Susan E., |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjKcxYt6Jxp9Qh8BBppqXq |0 http://id.loc.gov/authorities/names/n79122022 | |
| 758 | |i has work: |a Rendering in pen and ink (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGGWjdffm8ffCjBQcckgPP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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