The chapter

a segmented history from antiquity to the twenty-first century
Nicholas Dames
Book - 2023

"Why do books have chapters? With this seemingly simple question, Nicholas Dames embarks on a literary journey spanning two millennia, revealing how an ancient editorial technique became a universally recognized component of narrative art and a means to register the sensation of time. Dames begins with the textual compilations of the Roman world, where chapters evolved as a tool to organize information. He goes on to discuss the earliest divisional systems of the Gospels and the segmentation of medieval romances, describing how the chapter took on new purpose when applied to narrative texts and how narrative segmentation gave rise to a host of aesthetic techniques. Dames shares engaging and in-depth readings of influential figures, from Sterne, Goethe, Tolstoy, and Dickens to George Eliot, Machado de Assis, B. S. Johnson, Agn's Varda, Uwe Johnson, Jennifer Egan, and László Krasznahorkai. He illuminates the sometimes tacit, sometimes dramatic ways in which the chapter became a kind of reckoning with time and a quiet but persistent feature of modernity. Ranging from ancient tablets and scrolls to contemporary fiction and film, The Chapter provides a compelling, elegantly written history of a familiar compositional mode that readers often take for granted and offers a new theory of how this versatile means of dividing narrative sculpts our experience of time."--

Saved in:

Holdings -

South Hill

Barcode Status Material Type CallNumber Availability
37413322059561 Checked out New Adult Non-Fiction 028.9 DAMES  Place A Hold
Bibliographic Details
Main Author: Dames, Nicholas, 1970- (Author)
Format: Book
Language:English
Published: Princeton ; Oxford : Princeton University Press, [2023]
Subjects:

MARC

LEADER 00000cam a2200000 i 4500
001 944847
008 230318t20232023njua b 001 0 eng d
005 20240313214708.6
020 |a 9780691135199  |q (hardcover) 
020 |a 0691135193  |q (hardcover) 
035 |a (OCoLC)1372277676 
040 |a YDX  |b eng  |e rda  |c YDX  |d BDX  |d UKMGB  |d TOH  |d OCLCF  |d NAM  |d IUO  |d OCLCO  |d JAS  |d PSC  |d QGK  |d SDB  |d TXHLS  |d MBB  |d OCLCO  |d CLE  |d ZQP  |d OCLCQ  |d UAG 
049 |a UAGA 
082 0 4 |a 028.9  |2 23 
092 |a 028.9 DAMES 
100 1 |a Dames, Nicholas,  |d 1970-  |e author. 
245 1 4 |a The chapter :  |b a segmented history from antiquity to the twenty-first century /  |c Nicholas Dames. 
246 3 0 |a Segmented history from antiquity to the twenty-first century 
264 1 |a Princeton ;  |a Oxford :  |b Princeton University Press,  |c [2023] 
264 4 |c ©2023 
300 |a xii, 370 pages :  |b illustrations ;  |c 24 cm 
336 |a text  |b txt  |2 rdacontent 
336 |a still image  |b sti  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
520 8 |a "Why do books have chapters? With this seemingly simple question, Nicholas Dames embarks on a literary journey spanning two millennia, revealing how an ancient editorial technique became a universally recognized component of narrative art and a means to register the sensation of time. Dames begins with the textual compilations of the Roman world, where chapters evolved as a tool to organize information. He goes on to discuss the earliest divisional systems of the Gospels and the segmentation of medieval romances, describing how the chapter took on new purpose when applied to narrative texts and how narrative segmentation gave rise to a host of aesthetic techniques. Dames shares engaging and in-depth readings of influential figures, from Sterne, Goethe, Tolstoy, and Dickens to George Eliot, Machado de Assis, B. S. Johnson, Agn's Varda, Uwe Johnson, Jennifer Egan, and László Krasznahorkai. He illuminates the sometimes tacit, sometimes dramatic ways in which the chapter became a kind of reckoning with time and a quiet but persistent feature of modernity. Ranging from ancient tablets and scrolls to contemporary fiction and film, The Chapter provides a compelling, elegantly written history of a familiar compositional mode that readers often take for granted and offers a new theory of how this versatile means of dividing narrative sculpts our experience of time."--  |c Provided by vendor. 
505 0 0 |g Part I. --  |t Envisioning the Chapter --  |g Ante Chapter: --  |t On Segmented Time --  |g 1 --  |t In Which an Object Is Proposed for Analysis --  |g Part II. --  |t Two Millennia of Capitulation, From Heading to Unit --  |g 2 --  |t On the Shape of the Classical Heading (the Threshold) -- Tabula Bembina -- Augustine -- Arrian's Epictetus --  |g 3 --  |t Concerning the Division of the Gospels (the Abstract Syncopation) -- Eusebius -- Alexandrinus -- the Paris Bible --  |g 4 --  |t How Fifteenth-Century Remediators Did Their Work (the Cut, the Fade) -- The Burgundian Chrétien de Troyes -- Caxton's Malory --  |g Part III. --  |t Dividing Time In, and Beyond, The Novel --  |g 5 --  |t Attitudes of the Early Novel Chapter (the Postural, the Elongated) -- Locke -- Sterne -- Equiano -- Goethe --  |g 6 --  |t The Repertoire of the Chapter circa 1865 (the Tacit) -- Tolstoy -- Gaskell --  |g 7 --  |t The Days of Our Novelistic Lives (the Circadian) -- Dickens -- Eliot -- McGregor --  |g 8 --  |t The Poignancy of Sequence (the Antique-Diminutive) -- Machado -- B. S. Johnson -- Varda --  |g Post Chapter: --  |t The Future of a Convention (1970-) -- Uwe Johnson -- Egan -- Krasznahorkai. 
650 0 |a Books and reading  |x History. 
650 0 |a Books  |x History. 
650 0 |a Composition (Language arts)  |x History. 
938 |a Brodart  |b BROD  |n 134267656 
938 |a YBP Library Services  |b YANK  |n 19577545 
994 |a C0  |b UAG 
999 f f |s 32545a60-bd2f-4715-ad85-41ce6cdf6ee3  |i 878db423-d321-4d7b-a411-206609091111  |t 0 
952 f f |p Standard Circulation  |a City of Spokane  |b Spokane Public Library  |c Branches  |d South Hill  |t 0  |e 028.9 DAMES  |i New Adult Non-Fiction  |m 37413322059561