What matters most is how well you walk through the fire
What matters most is how well you walk through the fire
Book - 2002
"These poems, written between 1970 and 1990, are part of an archive that Charles Bukowski left to be published after his death."--Title page verso.
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Holdings -
Indian Trail
| Barcode | Status | Material Type | CallNumber |
|---|---|---|---|
| 37413320678057 | Sẵn có | Non-fiction | 811.54 BUKOWSK |
| Tác giả chính: | |
|---|---|
| Định dạng: | Sách |
| Ngôn ngữ: | English |
| Được phát hành: |
New York, N.Y. :
Ecco/HarperCollins Pub.,
©1999, 2002.
|
| Phiên bản: | 1st Ecco ed. |
| Những chủ đề: |
MARC
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| 020 | |a 9781574231052 |q (pbk.) | ||
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| 092 | |a 811.54 BUKOWSK | ||
| 100 | 1 | |a Bukowski, Charles. | |
| 245 | 1 | 0 | |a What matters most is how well you walk through the fire / |c Charles Bukowski. |
| 250 | |a 1st Ecco ed. | ||
| 264 | 1 | |a New York, N.Y. : |b Ecco/HarperCollins Pub., |c ©1999, 2002. | |
| 300 | |a 409 pages : |b portrait ; |c 23 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a "These poems, written between 1970 and 1990, are part of an archive that Charles Bukowski left to be published after his death."--Title page verso. | ||
| 500 | |a Originally published: Santa Rosa, CA : Black Sparrow Press, 1999. | ||
| 505 | 0 | 0 | |t My father and the bum -- |t Legs, hips and behind -- |t Igloo -- |t The mice -- |t My garden -- |t Legs and white thighs -- |t Mademoiselle from Armentieres -- |t My father's big-time fling -- |t The bakers of 1935 -- |t The people -- |t The pretty girl who rented rooms -- |t Too soon -- |t Canned heat? -- |t Pershing Square, Los Angeles, 1939 -- |t Scene from 1940 -- |t My big moment -- |t Daylight saving time -- |t The railroad yard -- |t Horseshit -- |t Man's best friend -- |t The sensitive, young poet -- |t Hunger -- |t The first one -- |t The night I saw George Raft in Vegas -- |t No title -- |t Too many blacks -- |t White dog -- |t Blue beads and bones -- |t Ax and blade -- |t Some notes on Bach and Haydn -- |t Born to lose -- |t Phillipe's 1950 -- |t In the lobby -- |t He knows us all -- |t Victory! -- |t More argument -- |t Wind the clock -- |t What? -- |t She comes from somewhere -- |t Lifedance -- |t The bells -- |t Full moon -- |t Everywhere, everywhere -- |t About a trip to Spain -- |t Van Gogh -- |t Vallejo -- |t When the violets roar at the sun -- |t The professionals -- |t The 8 count concerto -- |t An afternoon in February -- |t Crickets -- |t The angel who pushed his wheelchair -- |t The circus of death -- |t The man? -- |t Christmas poem to a man in jail -- |t Snake eyes? -- |t My friends down at the corner -- |t Smiling, shining, singing -- |t Bruckner -- |t This moment -- |t One more good one -- |t You do it while you're killing flies -- |t The 12 hour night -- |t Plants which easily winter kills -- |t The last poetry reading -- |t Probably so -- |t Assault -- |t Raw with love -- |t Wide and moving -- |t Demise -- |t The pact -- |t 75 million dollars -- |t Butterflies -- |t 4 Christs. |
| 505 | 0 | 0 | |t $180 gone -- |t Blue head of death -- |t Young men -- |t The meaning of it all -- |t Guess who? -- |t I want a mermaid -- |t An unusual place -- |t In this city now -- |t Captain Goodwine -- |t Morning love -- |t An old jockey -- |t Hard times on Carlton Way -- |t We needed him -- |t Nana -- |t Poor Mimi -- |t A boy and his dog -- |t The dangerous ladies -- |t Sloppy love -- |t Winter : 44th year -- |t Hollywood Ranch Market -- |t Rape -- |t Gone away -- |t Note left on the dresser by a lady friend -- |t Legs -- |t The artist -- |t Revolt in the ranks -- |t Life of the king -- |t The silver mirror -- |t Hunchback -- |t Me and Capote -- |t The savior : 1970 -- |t La femme finie -- |t Beast -- |t Artistic selfishness -- |t My literary fly -- |t Memory -- |t Carlton Way off Western Ave. -- |t At the zoo -- |t Coke blues -- |t Nobody home -- |t Woman in the supermarket -- |t Fast track -- |t Hanging there on the wall -- |t The hookers, the madmen and the doomed -- |t Looking for Jack -- |t Apprentices -- |t 38,000-to-one -- |t A touch of steel -- |t Brown and solemn -- |t Time -- |t Nobody knows the trouble I've seen -- |t The way it works -- |t Bright lights and serpents -- |t Mean and stingy -- |t $100 -- |t This particular war -- |t German bar -- |t Floor job -- |t The icecream people -- |t Like a cherry seed in the throat. |
| 505 | 0 | 0 | |t The ordinary café of the world -- |t On shaving -- |t School days -- |t Neither a borrower nor a lender be -- |t Sometimes even putting a nickel into a parking meter feels good -- |t Mahler -- |t Fellow countryman -- |t The young man on the bus stop bench -- |t Computer class -- |t Image -- |t The crunch (2) -- |t I'll send you a postcard -- |t Bravo! -- |t Downtown -- |t The blue pigeon -- |t Combat primer -- |t Thanks for that -- |t They arrived in time -- |t Odd -- |t An interlude -- |t Anonymity -- |t What's it all mean? -- |t One-to-five -- |t Insanity -- |t Farewell my lovely -- |t Comments upon my last book of poesy -- |t A correction to a lady of poesy -- |t Beethoven conducted his last symphony while totally deaf -- |t On the sidewalk and in the sun -- |t What do they want? -- |t I hear all the latest hit tunes -- |t Am I the only one who suffers thus? -- |t On lighting a cigar -- |t The cigarette of the sun -- |t To lean back into it -- |t Dog fight 1990 -- |t I used to feel sorry for Henry Miller -- |t Locked in -- |t Wasted -- |t Sunday lunch at the Holy Mission -- |t Slaughter -- |t A vote for the gentle light -- |t Be alone -- |t I inherit -- |t Another day -- |t Tabby cat -- |t The gamblers -- |t The crowd -- |t Trouble in the night -- |t 3 old men at separate tables -- |t The singer -- |t Stuck with it -- |t Action on the corner -- |t No guru -- |t In this cage some songs are born -- |t My movie -- |t A new war -- |t Roll the dice. |
| 520 | 0 | |a "These poems, written between 1970 and 1990, are part of an archive that Charles Bukowski left to be published after his death."--Title page verso. | |
| 650 | 0 | |a American poetry |y 20th century. | |
| 650 | 0 | |a Poetry. | |
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