Y'all don't (really) care about black women
compact disc - 2021
Melanie Charles sets out to take this group of songs and breathe new energy into them. Melanie was immediately drawn to the rapturous voices of Billie Holiday and Sarah Vaughn who inspired her to record arrangements of God Bless the Child and Detour Ahead. This album is a love letter to the unheralded labor of black women. Melanie asks listeners to be accountable to black women as much as they care for their works.
Saved in:
Holdings -
Indian Trail
| Barcode | Status | Material Type | CallNumber | Availability |
|---|---|---|---|---|
| 37413318896075 | Available | Adult Music CD | JAZZ CHARLES | Place a Hold |
| Main Author: | |
|---|---|
| Format: | CD Audiobook |
| Language: | English |
| Published: |
[United States] :
Impulse,
[2021]
|
| Subjects: |
MARC
| LEADER | 00000cjm a2200000Ki 4500 | ||
|---|---|---|---|
| 001 | 739258 | ||
| 007 | sd fungnn|||ed | ||
| 008 | 210914s2021 xxujznn n eng d | ||
| 005 | 20220114212742.7 | ||
| 024 | 1 | |a 602438513895 | |
| 028 | 0 | 2 | |a B003430602 |b Impulse |
| 035 | |a (OCoLC)1268150577 | ||
| 035 | |a 739258 | ||
| 037 | |b Midwest Tape |n http://www.midwesttapes.com | ||
| 040 | |a TEFMT |b eng |e rda |c TEFMT |d TEF |d OCLCO |d CNEDM |d OCLCF | ||
| 082 | 0 | 4 | |a 782.42165 |2 23 |
| 092 | 0 | |a JAZZ CHARLES | |
| 100 | 1 | |a Charles, Melanie, |e performer, |e composer. | |
| 245 | 1 | 0 | |a Y'all don't (really) care about black women |h [compact disc] / |c Melanie Charles. |
| 246 | 3 | |a You all don't (really) care about black women | |
| 246 | 3 | |a You all do not (really) care about black women | |
| 246 | 3 | |a Y'all so not (really) care about black women | |
| 246 | 3 | |a Y'all do not (really) care about black women | |
| 264 | 1 | |a [United States] : |b Impulse, |c [2021] | |
| 300 | |a 1 audio disc : |b CD audio, digital ; |c 4 3/4 in. | ||
| 336 | |a performed music |b prm |2 rdacontent | ||
| 337 | |a audio |b s |2 rdamedia | ||
| 338 | |a audio disc |b sd |2 rdacarrier | ||
| 340 | |b 4 3/4 in. | ||
| 344 | |a digital |2 rdatr | ||
| 344 | |b optical |2 rdarm | ||
| 347 | |a audio file |2 rdaft | ||
| 347 | |b CD audio | ||
| 500 | |a Title from sell sheet. | ||
| 511 | 0 | |a Melanie Charles; with accompaniment. | |
| 500 | |a Compact disc. | ||
| 505 | 0 | |a God bless the child -- Perdido (reimagined) -- Detour ahead (reimagined) -- All Africa (the beat) -- The music is the magic -- Pay black women interlude -- Woman of the ghetto(reimagined) -- Jazz (ain't nothing but soul) (reimagined) -- Go away little boy -- What a difference (reimagined) -- Beginning to see the light (reimagined). | |
| 520 | |a Melanie Charles sets out to take this group of songs and breathe new energy into them. Melanie was immediately drawn to the rapturous voices of Billie Holiday and Sarah Vaughn who inspired her to record arrangements of God Bless the Child and Detour Ahead. This album is a love letter to the unheralded labor of black women. Melanie asks listeners to be accountable to black women as much as they care for their works. | ||
| 650 | 0 | |a Jazz vocals. | |
| 949 | |b 37413318896075 |c muscda |d musa |e JAZZ CHARLES |g it |h 14.00 |q 1678998 | ||
| 990 | |a MOE9925971 |b 6004837526 |c 000040032564 |d IT |e a37413318896075b |f JAZZ |g CHARLES |j Y'all don't (really) care about black women |k 37413318896075 |l IT |m 0 |n 1 |o Charles, Melanie |p . | ||
| 999 | f | f | |s 4869a5ba-c2f4-43bc-9ac2-d465a2593062 |i ab4b578d-9923-5234-8b76-5b69915c4ee9 |t 0 |
| 952 | f | f | |p Standard Circulation |a City of Spokane |b Spokane Public Library |c Branches |d Indian Trail |t 0 |e JAZZ CHARLES |h Other scheme |i Adult Music CD |j None |m 37413318896075 |