Jane Austen's bookshelf

a rare book collector's quest to find the women writers who shaped a legend

Jane Austen's bookshelf

a rare book collector's quest to find the women writers who shaped a legend
Rebecca Romney
Book - 2025

Long before she was a rare book dealer, Rebecca Romney was a devoted reader of Jane Austen. She loved that Austen's books took the lives of women seriously, explored relationships with wit and confidence, and always, allowed for the possibility of a happy ending. She read and reread them, often wishing Austen wrote just one more. But Austen wasn't a lone genius. She wrote at a time of great experimentation for women writers--and clues about those women, and the exceptional books they wrote, are sprinkled like breadcrumbs throughout Austen's work. Every character in Northanger Abbey who isn't a boor sings the praises of Ann Radcliffe. The play that causes such a stir in Mansfield Park is a real one by the playwright Elizabeth Inchbald. In fact, the phrase "pride and prejudice" came from Frances Burney's second novel Cecilia. The women that populated Jane Austen's bookshelf profoundly influenced her work; Austen looked up to them, passionately discussed their books with her friends, and used an appreciation of their books as a litmus test for whether someone had good taste. So where had these women gone? Why hadn't Romney--despite her training--ever read them? Or, in some cases, even heard of them? And why were they no longer embraced as part of the wider literary canon? Jane Austen's Bookshelf investigates the disappearance of Austen's heroes--women writers who were erased from the Western canon--to reveal who they were, what they meant to Austen, and how they were forgotten. Each chapter profiles a different writer including Frances Burney, Ann Radcliffe, Charlotte Lennox, Charlotte Smith, Hannah More, Elizabeth Inchbald, Hester Lynch Thrale Piozzi, and Maria Edgeworth--and recounts Romney's experience reading them, finding rare copies of their works, and drawing on connections between their words and Austen's. Romney collects the once-famed works of these forgotten writers, physically recreating Austen's bookshelf and making a convincing case for why these books should be placed back on the to-be-read pile of all book lovers today. Jane Austen's Bookshelf will encourage you to look beyond assigned reading lists, question who decides what belongs there, and build your very own collection of favorite novels.--

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37413322377922 Awaiting pickup New Adult Non-Fiction 823.7 ROMNEY
Bibliographic Details
Main Author: Romney, Rebecca (Author)
Format: Book
Language:English
Published: New York : Marysue Rucci Books, 2025.
Edition:First Marysue Rucci Books hardcover edition.
Subjects:

MARC

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245 1 0 |a Jane Austen's bookshelf :  |b a rare book collector's quest to find the women writers who shaped a legend /  |c Rebecca Romney. 
246 3 |a Rare book collector's quest to find the women writers who shaped a legend 
250 |a First Marysue Rucci Books hardcover edition. 
264 1 |a New York :  |b Marysue Rucci Books,  |c 2025. 
264 4 |c ©2025 
300 |a 455 pages ;  |c 24 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references (pages 357-432) and index. 
505 0 |a Introduction -- Jane Austen (1775-1817) -- Frances Burney (1752-1840) -- Ann Radcliffe (1764-1823) -- Charlotte Lennox (c. 1729-1804) -- Hannah More (1745-1833) -- Charlotte Smith (1749-1806) -- Elizabeth Inchbald (1753-1832) -- Hester Lynch Thrale Piozzi (1741-1821) -- Maria Edgeworth (1768-1849) -- Conclusion -- Acknowledgments -- Appendix: Selected books from the Jane Austen bookshelf -- Bibliography -- Notes -- Index. 
520 |a Long before she was a rare book dealer, Rebecca Romney was a devoted reader of Jane Austen. She loved that Austen's books took the lives of women seriously, explored relationships with wit and confidence, and always, allowed for the possibility of a happy ending. She read and reread them, often wishing Austen wrote just one more. But Austen wasn't a lone genius. She wrote at a time of great experimentation for women writers--and clues about those women, and the exceptional books they wrote, are sprinkled like breadcrumbs throughout Austen's work. Every character in Northanger Abbey who isn't a boor sings the praises of Ann Radcliffe. The play that causes such a stir in Mansfield Park is a real one by the playwright Elizabeth Inchbald. In fact, the phrase "pride and prejudice" came from Frances Burney's second novel Cecilia. The women that populated Jane Austen's bookshelf profoundly influenced her work; Austen looked up to them, passionately discussed their books with her friends, and used an appreciation of their books as a litmus test for whether someone had good taste. So where had these women gone? Why hadn't Romney--despite her training--ever read them? Or, in some cases, even heard of them? And why were they no longer embraced as part of the wider literary canon? Jane Austen's Bookshelf investigates the disappearance of Austen's heroes--women writers who were erased from the Western canon--to reveal who they were, what they meant to Austen, and how they were forgotten. Each chapter profiles a different writer including Frances Burney, Ann Radcliffe, Charlotte Lennox, Charlotte Smith, Hannah More, Elizabeth Inchbald, Hester Lynch Thrale Piozzi, and Maria Edgeworth--and recounts Romney's experience reading them, finding rare copies of their works, and drawing on connections between their words and Austen's. Romney collects the once-famed works of these forgotten writers, physically recreating Austen's bookshelf and making a convincing case for why these books should be placed back on the to-be-read pile of all book lovers today. Jane Austen's Bookshelf will encourage you to look beyond assigned reading lists, question who decides what belongs there, and build your very own collection of favorite novels.--  |c Publisher description 
600 1 0 |a Austen, Jane,  |d 1775-1817  |x Books and reading. 
600 1 0 |a Austen, Jane,  |d 1775-1817  |x Criticism and interpretation. 
600 1 0 |a Burney, Fanny,  |d 1752-1840  |x Influence. 
600 1 0 |a Radcliffe, Ann,  |d 1764-1823  |x Influence. 
600 1 0 |a Lennox, Charlotte,  |d approximately 1729-1804  |x Influence. 
600 1 0 |a Smith, Charlotte,  |d 1749-1806  |x Influence. 
600 1 0 |a More, Hannah,  |d 1745-1833  |x Influence. 
600 1 0 |a Inchbald,  |c Mrs.,  |d 1753-1821  |x Influence. 
600 1 0 |a Piozzi, Hester Lynch,  |d 1741-1821  |x Influence. 
600 1 0 |a Edgeworth, Maria,  |d 1768-1849  |x Influence. 
650 0 |a Women novelists, English  |y 18th century  |x History and criticism. 
650 0 |a Women novelists, English  |y 19th century  |x History and criticism. 
653 |a JANE AUSTEN  |a FICTION  |a PAWN STARS  |a LITERARY  |a FRANCES BURNEY  |a BOOKTOK  |a CHARLOTTE SMITH  |a HESTER LYNCH THRALE PIOZZI  |a COLIN FIRTH  |a MARIA EDGEWORTH  |a WOMEN WRITERS  |a PRIDE AND PREJUDICE  |a HANNAH MORE  |a ANN RADCLIFFE  |a PBS  |a HISTORY CHANNEL  |a ELIZABETH INCHBALD  |a SANDITION  |a FEMALE AUTHORS  |a 18TH CENTURY 
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