Black is the body

stories from my grandmother's time my mother's time and mine
by Emily Bernard
Book - 2019

"A collection of essays on race"--

Saved in:

Holdings -

South Hill

Barcode Status Material Type CallNumber Availability
37413317656074 Available Non-fiction B BERNARD BERNARD  Place a Hold
Bibliographic Details
Main Author: Bernard, Emily, 1967- (Author)
Format: Book
Language:English
Published: New York : Alfred A. Knopf, 2019.
Edition:First edition.
Subjects:

MARC

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100 1 |a Bernard, Emily,  |d 1967-  |e author. 
245 1 0 |a Black is the body :  |b stories from my grandmother's time, my mother's time, and mine /  |c by Emily Bernard. 
250 |a First edition. 
264 1 |a New York :  |b Alfred A. Knopf,  |c 2019. 
300 |a xiii, 217 pages ;  |c 20 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
520 |a "A collection of essays on race"--  |c Provided by publisher. 
500 |a "This is a Borzoi book." 
505 0 |a Going home -- Scar tissue -- Teaching the N word -- Interstates -- Mother on Earth -- Black is the body -- Skin -- White friend -- Her glory -- Motherland -- People like me -- Epilogue: my turn. 
520 |a "I am black--and brown, too," writes Emily Bernard. "Brown is the body I was born into. Black is the body of the stories I tell." And the storytelling, and the mystery of Bernard's storytelling, of getting to the truth, begins with a stabbing in a New England college town. Bernard writes how, when she was a graduate student at Yale, she walked into a coffee shop and, along with six other people, was randomly attacked by a stranger with a knife ("I remember making the decision not to let the oddness of this stranger bother me"). "I was not stabbed because I was black," she writes (the attacker was white), "but I have always viewed the violence I survived as a metaphor for the violent encounter that has generally characterized American race relations. There was no connection between us, yet we were suddenly and irreparably bound by a knife, an attachment that cost us both: him, his freedom; me, my wholeness." Bernard explores how that bizarre act of violence set her free and unleashed the storyteller in her ("The equation of writing and regeneration is fundamental to black American experience") She writes in Black Is the Body how each of the essays goes beyond a narrative of black innocence and white guilt, how each is anchored in a mystery, and how each sets out to discover a new way of telling the truth as the author has lived it. "Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably . . . Race is the story of my life, and therefore black is the body of this book." And what most interests Bernard is looking at "blackness at its borders, where it meets whiteness in fear and hope, in anguish and love." 
600 1 0 |a Bernard, Emily,  |d 1967- 
650 0 |a African American women  |v Biography. 
650 0 |a African Americans  |x Social conditions  |y 21st century. 
651 0 |a United States  |x Race relations. 
655 7 |a Autobiographies.  |2 lcgft 
776 0 8 |i Online version:  |a Bernard, Emily, 1967-  |t Black is the body.  |b First edition.  |d New York : Alfred A. Knopf, 2019  |z 9780451493033  |w (DLC) 2018034693 
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998 |a 2018.12.05 
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