Synth Programming Beyond the Basics
online class - 2014
Move beyond the basics of synth programming, and learn techniques for creating big moving basslines, evocative percussion patterns, and rich synth pads.
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Format: | Electronic Video |
Language: | English |
Published: |
Carpenteria, CA
lynda.com,
2014.
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Online Access: | Click here for information and access to this online class. |
MARC
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511 | |a Presenter: Scott Hirsch. ["a", "NYU professor Scott Hirsch is a sound designer, an editor for film and video, and an audio engineer. Scott Hirsch is a sound designer, an editor and mixer for film and video, a musician, and an audio engineer. Scott's straightforward approach to teaching professional audio concepts, including applications such as Pro Tools, Logic Pro, and Reason, has brought indispensable knowledge and boundless creativity to his students. As a sound designer, editor, and mixer for film and video, his selected credits include sound design for the 2013 Tribeca Film Festival special jury mention, Stand Clear of the Closing Doors, and director Jonathan Caouette's short All Flowers in Time. He was the sound effects editor on the 2012 feature The Comedy, Sundance 2011 and IFC feature Septien, and Outfest 2013 outstanding screenwriting and best dramatic feature winner, Test. Scott was the supervising sound editor and re-recording mixer on Cannes Film Festival 2012 and SXSW best short winner The Chair, Seattle Film Festival short film winner Mobile Homes, and cult favorite Plagues & Pleasures of the Salton Sea, as well as countless other narrative films and documentaries. Musically, he engineers and plays multiple instruments with the bands Hiss Golden Messenger, Family Band, and his own project Dunedin Dunedin. Scott received his master's degree in music technology from New York University, where he concentrated his studies on 3D and spatial audio. He is an adjunct professor at NYU's Music Technology department and at Stephen F. Austin State University's Sound Recording Technology program. Scott is the coauthor of the Wiley/Sybex book Pro Tools℗ʼ 7 Session Secrets: Professional Recipes for High-Octane Results."] | ||
520 | |a Move beyond the basics of synth programming, and learn techniques for creating big moving basslines, evocative percussion patterns, and rich synth pads. | ||
520 | |a Up your levels. Move beyond the basics of sound synthesis, in this course with musician Scott Hirsch. These advanced tutorials explore the inner workings of familiar synth programming techniques, as well as a few alternatives for pushing your sound further. Scott builds from modular-component synthesis to other types of synthesis, including frequency-modulation (FM) synthesis, modeling synthesis, and vocoding techniques. The course finishes up with a series of tutorials on creating new sounds, including a classic vocoder effect, big moving basslines, evocative percussion patterns, and rich synth pads. Note: Scott uses a combination of Ableton Live, Native Instruments software, and Logic Pro in these movies, but you can easily re-create the techniques in the DAW of your choice. The specific synths used include Native Instruments Massive; Logic's ES2, EFM1, and Sculpture plugins, and the EVOC 20 PS vocoder synth; and Ableton Live's Collision and Operator. | ||
538 | |a Latest version of the following browsers: Chrome, Safari,Firefox, or Internet Explorer. Adobe Flash Player Plugin. JavaScriptand cookies must be enabled. A broadband Internet connection. | ||
653 | |a Streaming video | ||
653 | |a Audio + Music | ||
653 | |a Ableton Live | ||
653 | |a Logic Pro | ||
653 | |a Pro Tools | ||
653 | |a Reason | ||
653 | |a Max MSP | ||
653 | |a DAWs | ||
653 | |a Music Composition | ||
653 | |a Virtual Instruments | ||
710 | 2 | |a Lynda.com (Firm) | |
856 | 4 | 0 | |u http://www.lynda.com/Logic-Pro-Massive-Native-Instruments-Ableton-Live-tutorials/Synth-Programming-Beyond-Basics/173789-2.html?org=spokanelibrary.org&utm_source=marc |z View course details on lynda.com |y Click here for information and access to this online class. |z You will be leaving Spokane Public Library's website. |t 0 |
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