Center stage

Leonard Ho and Jackie Chan present ; directed by Stanley Kwan ; produced by Willie Chan Tsui Siu Ming ; screenplay by Yau Dai An Ping
videorecording (DVD) - 2021

International superstar Maggie Cheung embodies tragic screen siren Ruan Lingyu, known as the "Greta Garbo of China," in this unconventional biopic by Hong Kong New Wave master Stanley Kwan. Praised for her moving and emotive onscreen presence, Ruan's private life, which was frequent fodder for the vicious Shanghai tabloids, began to mirror the melodramas which brought her fame, culminating in her suicide at age 24. Kawan and Cheung paint a kaleidoscopic yet intimate portrait of the ill-fated actress, deftly blending lush period drama, archival footage, and metatextual documentary sequences of Cheung reflecting on Ruan's legacy. The result is, much like the films of Ruan Lingyu themselves, "tender, vivid and almost overwhelmingly moving" (Time Out).

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Bibliographic Details
Other Authors: Zhang, Manyu (Actor), Liang, Jiahui (Actor), Qin, Han, 1946- (Actor), Liu, Jialing, 1964- (Actor)
Format: Video DVD
Language:Chinese
English
Published: [New York] : Film Movement, [2021]
Series:Film Movement classics.
Subjects:
Online Access:Credits from Internet Movie Database

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511 1 |a Maggie Cheung, Tony Leung Ka Fai, Chin Hang, Carina Lau, Lawrence Ng, Cecilia Yip, Waise Lee. 
508 |a Editors, Cheung Yiu Chung, Cheung Ka Fai ; director of photography, Poon Hang Seng ; music, Siu Chung. 
500 |a Originally released as a motion picture in 1991 in Taiwan with title: Ruan Lingyu. 
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520 |a International superstar Maggie Cheung embodies tragic screen siren Ruan Lingyu, known as the "Greta Garbo of China," in this unconventional biopic by Hong Kong New Wave master Stanley Kwan. Praised for her moving and emotive onscreen presence, Ruan's private life, which was frequent fodder for the vicious Shanghai tabloids, began to mirror the melodramas which brought her fame, culminating in her suicide at age 24. Kawan and Cheung paint a kaleidoscopic yet intimate portrait of the ill-fated actress, deftly blending lush period drama, archival footage, and metatextual documentary sequences of Cheung reflecting on Ruan's legacy. The result is, much like the films of Ruan Lingyu themselves, "tender, vivid and almost overwhelmingly moving" (Time Out). 
500 |a Special features: Stanley Kwan introduction, Stanley Kwan interview; Hong Kong cinema expert Paul Fornoroff interview; booklet with essay by Aliza Ma. 
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