This bridge called my back
writings by radical women of color
This bridge called my back
writings by radical women of color
Book - 2015
"Through personal essays, criticism, interviews, testimonials, poetry, and visual art, this collection explores, as coeditor Cherrie Moraga writes, 'the complex confluence of identities--race, class, gender, sexuality--systemic to women of color oppression and liberation'"--Back cover.
محفوظ في:
Holdings -
Liberty Park
| Barcode | Status | Material Type | CallNumber |
|---|---|---|---|
| 37413317830638 | متاح | Non-fiction | 810.8092 THIS |
| مؤلفون آخرون: | , |
|---|---|
| التنسيق: | كتاب |
| اللغة: | English |
| منشور في: |
Albany, NY :
SUNY Press,
[2015]
|
| الطبعة: | Fourth edition. |
| الموضوعات: |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
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| 008 | 141029s2015 nyua b 000 0 eng | ||
| 010 | |a 2014039109 | ||
| 019 | |a 895117661 |a 930771543 | ||
| 020 | |a 9781438454399 |q (hardcover |q alkaline paper) | ||
| 020 | |a 1438454392 |q (hardcover |q alkaline paper) | ||
| 020 | |a 9781438454382 |q (paperback |q alkaline paper) | ||
| 020 | |a 1438454384 |q (paperback |q alkaline paper) | ||
| 035 | |a (OCoLC)894128432 |z (OCoLC)895117661 |z (OCoLC)930771543 | ||
| 040 | |a DLC |b eng |e rda |c DLC |d YDX |d YDXCP |d BTCTA |d BDX |d NYP |d OCLCF |d CDX |d COO |d FJD |d ZCU |d OCLCQ |d NHA |d SAD |d HCD |d OCLCQ |d S3O |d OCLCO | ||
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| 082 | 0 | 0 | |a 810.8/09287 |2 23 |
| 092 | 0 | |a 810.8092 THIS | |
| 245 | 0 | 0 | |a This bridge called my back : |b writings by radical women of color / |c edited by Cherríe Moraga and Gloria Anzaldúa. |
| 250 | |a Fourth edition. | ||
| 264 | 1 | |a Albany, NY : |b SUNY Press, |c [2015] | |
| 300 | |a xlvii, 286 pages : |b illustrations ; |c 23 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references. | ||
| 520 | |a "Through personal essays, criticism, interviews, testimonials, poetry, and visual art, this collection explores, as coeditor Cherrie Moraga writes, 'the complex confluence of identities--race, class, gender, sexuality--systemic to women of color oppression and liberation'"--Back cover. | ||
| 505 | 0 | 0 | |g Artwork -- |t Catching fire: preface to the Fourth Edition / |r Cherríe Moraga -- |t Acts of healing / |r Gloria Anzaldúa and The Gloria E. Anzaldúa Literary Trust -- |g Foreword to the First Edition, 1981 / |r Toni Cade Bambara -- |t The bridge poem / |r Kate Rushin -- |t La jornada: preface, 1981 / |r Cherríe Moraga -- |g Introduction, 1981 / |r Cherríe Moraga and Gloria Anzaldúa -- |g I. Children Passing in the Streets: The Roots of Our Radicalism. |t When I was growing up / |r Nellie Wong -- |t On not bein / |r Mary Hope Whitehead Lee -- |t For the color of my mother / |r Cherríe Moraga -- |t I am what I am / |r Rosario Morales -- |t Dreams of violence / |r Naomi Littlebear Morena -- |t He saw / |r Chrystos -- |g II. Entering the Lives of Others: Theory in the Flesh. |t Wonder woman / |r Genny Lim -- |t La güera / |r Cherríe Moraga -- |t Invisibility is an unnatural disaster: reflections of an Asian American woman / |r Mitsuye Yamada -- |t It's in my blood, my face--my mother's voice, the way I sweat / |r Anita Valerio -- |t "Gee you don't seem like an Indian from the reservation" / |r Barbara Cameron -- |t " ... and even Fidel can't change that!" / |r Aurora Levins Morales -- |t I walk in the history of my people / |r Chrystos -- |g III. And When You Leave, Take Your Pictures With You: Racism in the Women's Movement. |t And when you leave, take your pictures with you / |r Jo Carillo -- |t Beyond the cliffs of Abiquiu / |r Jo Carillo -- |t I don't understand those who have turned away from me / |r Chrystos -- |t Asian Pacific women and feminism / |r Mitsuye Yamada -- |t "--but I know you, American woman" / |r Judit Moschkovich -- |t The Black back-ups / |r Kate Rushin -- |t The pathology of racism: a conversation with third world wimmin / |r Doris Davenport -- |t We're all in the same boat / |r Rosario Morales -- |t An open letter to Mary Daly / |r Audre Lorde -- |t The master's tools will never dismantle the master's house / |r Audre Lorde -- |g IV. Between the Lines: On Culture, Class, and Homophobia. |t The other heritage / |r Rosario Morales -- |t The tired poem: last letter from a typical (unemployed) Black professional woman / |r Kate Rushin -- |t To be continued ... / |r Kate Rushin -- |t Across the kitchen table: a sister-to-sister dialogue / |r Barbara Smith and Beverly Smith -- |t Lesbianism: an act of resistance / |r Cheryl Clarke -- |t Lowriding through the women's movement / |r Barbara Noda -- |t Letter to ma / |r Merle Woo -- |t I come with no illusions / |r Mirtha N. Quintanales -- |t I paid very hard for my immigrant ignorance / |r Mirtha N. Quintanales -- |t Earth-lover, survivor, musician / |r Naomi Littlebear Morena -- |g V. Speaking in Tongues: The Third World Woman Writer. |t Speaking in tongues: a letter to third world women writers / |r Gloria Anzaldúa -- |t Millicent Fredericks / |r Gabrielle Daniels -- |t In Search of the self as hero: confetti of voices on New Year's night, a letter to myself / |r Nellie Wong -- |t Chicana's feminist literature: a re-vision through Malintzin/or Malintzin putting flesh back on the object / |r Norma Alarcón -- |t Ceremony for completing a poetry reading / |r Chrystos -- |g VI. El Mundo Zurdo: The Vision. |t Give me back / |r Chrystos -- |t La prieta / |r Gloria Anzaldúa -- |t A Black feminist statement / |r Combahee River Collective -- |t The welder / |r Cherríe Moraga -- |t O.K. momma, who the hell am I? an interview with Luisah Teish / |r Gloria Anzaldúa -- |t Brownness / |r Andrea Canaan -- |t Revolution: it's not neat or pretty or quick / |r Pat Parker -- |t No rock scorns me as whore / |r Chrystos -- |g Appendix. Afterword: |t On the Fourth Edition / |r Cherríe Moraga -- |g Foreword to the Second Edition, 1983 / |r Gloria Anzaldúa -- |t Refugees of a world on fire: Foreword to the Second Edition, 1983 / |r Cherríe Moraga -- |t Counsels from the firing ... past, present, future: Foreword to the Third Edition, 2001 / |r Gloria Anzaldúa. |
| 650 | 0 | |a Feminism |v Literary collections. | |
| 650 | 0 | |a Women |z United States |v Literary collections. | |
| 650 | 0 | |a American literature |x Minority authors. | |
| 650 | 0 | |a Minority women |v Literary collections. | |
| 650 | 0 | |a American literature |x Women authors. | |
| 650 | 0 | |a Radicalism |v Literary collections. | |
| 700 | 1 | |a Moraga, Cherríe |e editor. | |
| 700 | 1 | |a Anzaldúa, Gloria, |e editor. | |
| 998 | |a 2016.04.15 | ||
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| 952 | f | f | |p Standard Circulation |a City of Spokane |b Spokane Public Library |c Branches |d Liberty Park |t 0 |e 810.8092 THIS |h Dewey Decimal classification |i Non-fiction |m 37413317830638 |