Even the good girls will cry

a '90s rock memoir

Even the good girls will cry

a '90s rock memoir
Melissa Auf der Maur
Book - 2026

"A remarkably open-hearted, clear-eyed memoir of the '90s alternative era by the bassist of Hole and The Smashing Pumpkins. Even the Good Girls Will Cry begins with Melissa Auf der Maur's bohemian upbringing in Montreal, where her early, deep connection to art and music gave her entry to the colorful and thriving local creative scene. Working as a cassette DJ and ticket girl, she would see (and sometimes meet) the luminaries who'd pass through town -- Nirvana, Jane's Addiction, Pavement, Sonic Youth. Thanks to a thrown beer bottle and a long-shot fan letter to a post-office box, her band Tinker scored a life-changing opening slot for The Smashing Pumpkins, and, sensing her natural talent on bass, Billy Corgan recommended her to Courtney Love, just one of the many uncanny threads that weave destiny throughout this riveting memoir. Whisked from her local scene and thrust into the eye of hurricane of grief on a global stage, Melissa joined Hole for the band's 1994 Live Through This world tour just after the deaths of Kurt Cobain and Hole's prior bassist, Kristen Pfaff, with Courtney Love at the center of it all. It was a tour of passionate intensity, as a chaotic yet stunningly powerful band constantly threatened to spin out of control. Melissa brings the reader with raging intimacy into the action, offering a heroic portrait of the unforgettable Courtney Love as she howled into the darkness as if to keep grief at bay. That was only the beginning of Melissa's journey through alternative rock. Part rock memoir, part travel diary, part psychedelic scrapbook, Even the Good Girls Will Cry is a behind-the-scenes rock 'n' roll memoir with a soulful intimacy and mystic undertone that set it apart from memoirs by her peers. It is a vivid dispatch from the last analog decade, artistically capturing that bygone era in all its messy, angsty glory."--Book jacket flap.

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Barcode Status Material Type CallNumber
37413326725902 In process New Adult Non-Fiction 782.4216 AUF DER
Chi tiết về thư mục
Tác giả chính: Auf der Maur, Melissa (Tác giả)
Định dạng: Sách
Ngôn ngữ:English
Được phát hành: New York ; Boston : Da Capo / Hachette Book Group, 2026.
Phiên bản:First edition.
Những chủ đề:

MARC

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505 0 |a Introduction: Through the looking glass -- Act I Magic. Dreamscape #1: Even the good girls will cry ; Dreamy frontline feminist ; The saint and the wall ; The city, she raised me ; Late bloomer, music lover ; Moving in new directions ; A couch to crash on, a beer bottle, and the apology ; 1991: the song that changed everything ; Dreamscape #2: 3D sound ; Grounding the fairy ; Vermont and the satin minidress ; Sunburst precision ; Death rears its head ; One-way ticket to Seattle ; Nick Auf der Maur column interlude #1 "Bass guitar indulgence turned out to be a great investment" -- Act II music. Melissa's dream of the '90's playlist ; The self-destruct tour: Nine Inch Nails and Marilyn Manson ; Live through this tour: 1994-1995 ; Warrior goddess ; Sensory overload ; Nick Auf der Maur column interlude #2 "On tour with my daughter, the rock star from Ca-na-da" ; Down under ; Hole goes to therapy and gets unplugged ; Engaging with Hole ; The abscess and the French hospital ; Funny shit and the smoking vagina ; Hole is a band; Courtney Love is a soap opera ; The Arctic Circle, Madonna, and MTV ; The with of New Orleans ; For love and honor ; Rhythm-section sisters -- Act III Death. Sick Nick and music on the rise ; Nick Auf der Maur column interlude #3 "Kurt Cobain had a shotgun, and I had cigarettes" ; Making Celebrity Skin ; My bass and the rise of the digital soul-sucking machine ; Romantic-comedy interlude: A play in three acts, starring Adam Sandler, Christ Farley, Ben Stiller, and Owen Wilson (with a cameo by Jim Carrey) ; The Hollywood Hills and my father's halo ; Introducing: death ; Montreal's daughter in mourning ; Dance with death ; Dreamscape #3: Your emptiness is calling me ; The drummer and the bass player ; High-fashion interlude: Milano Fashion Week, Fall 1998 ; My drug? Crushes ; First loves save the day ; Courtney says goodbye ; Out of a Hole, into a Pumpkin ; Trapped in mythological webs and shadows ; Dear Billy ; End of an era ; It's the end of the world as we know it -- Afterword: Home--Planet Earth--2024. 
520 |a "A remarkably open-hearted, clear-eyed memoir of the '90s alternative era by the bassist of Hole and The Smashing Pumpkins. Even the Good Girls Will Cry begins with Melissa Auf der Maur's bohemian upbringing in Montreal, where her early, deep connection to art and music gave her entry to the colorful and thriving local creative scene. Working as a cassette DJ and ticket girl, she would see (and sometimes meet) the luminaries who'd pass through town -- Nirvana, Jane's Addiction, Pavement, Sonic Youth. Thanks to a thrown beer bottle and a long-shot fan letter to a post-office box, her band Tinker scored a life-changing opening slot for The Smashing Pumpkins, and, sensing her natural talent on bass, Billy Corgan recommended her to Courtney Love, just one of the many uncanny threads that weave destiny throughout this riveting memoir. Whisked from her local scene and thrust into the eye of hurricane of grief on a global stage, Melissa joined Hole for the band's 1994 Live Through This world tour just after the deaths of Kurt Cobain and Hole's prior bassist, Kristen Pfaff, with Courtney Love at the center of it all. It was a tour of passionate intensity, as a chaotic yet stunningly powerful band constantly threatened to spin out of control. Melissa brings the reader with raging intimacy into the action, offering a heroic portrait of the unforgettable Courtney Love as she howled into the darkness as if to keep grief at bay. That was only the beginning of Melissa's journey through alternative rock. Part rock memoir, part travel diary, part psychedelic scrapbook, Even the Good Girls Will Cry is a behind-the-scenes rock 'n' roll memoir with a soulful intimacy and mystic undertone that set it apart from memoirs by her peers. It is a vivid dispatch from the last analog decade, artistically capturing that bygone era in all its messy, angsty glory."--Book jacket flap. 
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