Far from the madding crowd
Far from the madding crowd
Book - 2001
Far from the Madding Crowd, Hardy's passionate tale of the beautiful, headstrong farmer Bathsheba Everdene and her three suitors, firmly established the thirty-four-year-old writer as a popular novelist. According to Virginia Woolf, "The subject was right; the method was right; the poet and the countryman, the sensual man, the sombre reflective man, the man of learning, all enlisted to produce a book which . . . must hold its place among the great English novels." Introducing the fictional name of "Wessex" to describe Hardy's legendary countryside, this early masterpiece draws a vivid picture of rural life in southwest England. This Modern Library Paperback Classic is set from the 1912 Wessex edition and features Hardy's map of Wessex.
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| Barcode | Status | Material Type | CallNumber |
|---|---|---|---|
| 37413320570916 | Awaiting pickup | Adult Fiction | HARDY |
| Autor principal: | |
|---|---|
| Otros Autores: | , |
| Formato: | Libro |
| Lenguaje: | English |
| Publicado: |
New York :
Modern Library,
Ã2001.
|
| Edición: | 2001 Modern Library ed. |
| Colección: | Modern Library classics.
|
| Materias: |
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Far From The Madding Crowd
Electronic eBook
por Hardy, Thomas
Publicado 2012
Publicado 2012
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Far From The Madding Crowd
Electronic eBook
por Hardy, Thomas
Publicado 2010
Publicado 2010
Search Result 5
Far From The Madding Crowd
Electronic eBook
por Hardy, Thomas
Publicado 2010
Publicado 2010
Search Result 6
Search Result 7
MARC
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| 092 | |a HARDY | ||
| 049 | |a UAGA | ||
| 100 | 1 | |a Hardy, Thomas, |d 1840-1928. | |
| 245 | 1 | 0 | |a Far from the madding crowd / |c Thomas Hardy ; introduction by Margaret Drabble ; notes by Tess O'Toole. |
| 250 | |a 2001 Modern Library ed. | ||
| 260 | |a New York : |b Modern Library, |c Ã2001. | ||
| 300 | |a xxii, 468 pages : |b map ; |c 21 cm. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a The Modern Library classics | |
| 504 | |a Includes bibliographical references. | ||
| 520 | |a Far from the Madding Crowd, Hardy's passionate tale of the beautiful, headstrong farmer Bathsheba Everdene and her three suitors, firmly established the thirty-four-year-old writer as a popular novelist. According to Virginia Woolf, "The subject was right; the method was right; the poet and the countryman, the sensual man, the sombre reflective man, the man of learning, all enlisted to produce a book which . . . must hold its place among the great English novels." Introducing the fictional name of "Wessex" to describe Hardy's legendary countryside, this early masterpiece draws a vivid picture of rural life in southwest England. This Modern Library Paperback Classic is set from the 1912 Wessex edition and features Hardy's map of Wessex. | ||
| 526 | 0 | |a Accelerated Reader |b Grades 9-12 |c 9.7 |d 25 |x SD |z Quiz 12782 |z English fiction. | |
| 505 | 0 | |t Biographical Note -- |t Introduction / |r Margaret Drabble -- |t Map of Wessex -- |t Author's Preface -- |g 1 |t Description of Farmer Oak -- An Incident |g (starting p. 1) -- |g 2 |t Night -- The Flock -- An Interior -- Another Interior |g (starting p. 7) -- |g 3 |t A Girl on Horseback -- Conversation |g (starting p. 15) -- |g 4 |t Gabriel's Resolve -- The Visit -- The Mistake |g (starting p. 24) -- |g 5 |t Departure of Bathsheba -- A Pastoral Tragedy |g (starting p. 34) -- |g 6 |t The Fair -- The Journey -- The Fire |g (starting p. 40) -- |g 7 |t Recognition -- A Timid Girl |g (starting p. 51) -- |g 8 |t The Malthouse -- The Chat -- News |g (starting p. 55) -- |g 9 |t The Homestead -- A Visitor -- Half-Confidences |g (starting p. 74) -- |g 10 |t Mistress and Men |g (starting p. 81) -- |g 11 |t Outside the Barracks -- Snow -- A Meeting |g (starting p. 88) -- |g 12 |t Farmers -- A Rule -- An Exception |g (starting p. 94) -- |g 13 |t Sortes Sanctorum -- The Valentine |g (starting p. 100) -- |g 14 |t Effect of the Letter -- Sunrise |g (starting p. 105) -- |g 15 |t A Morning Meeting -- The Letter Again |g (starting p. 110) -- |g 16 |t All Saints' and All Souls' |g (starting p. 121) -- |g 17 |t In the Market-Place |g (starting p. 124) -- |g 18 |t Boldwood in Meditation -- Regret |g (starting p. 127) -- |g 19 |t The Sheep-Washing -- The Offer |g (starting p. 132) -- |g 20 |t Perplexity -- Grinding the Shears -- A Quarrel |g (starting p. 138) -- |g 21 |t Troubles in the Fold -- A Message |g (starting p. 145) -- |g 22 |t The Great Barn and the Sheep-Shearers |g (starting p. 152) -- |g 23 |t Eventide -- A Second Declaration |g (starting p. 163) -- |g 24 |t The Same Night -- The Fir Plantation |g (starting p. 170) -- |g 25 |t The New Acquaintance Described |g (starting p. 177) -- |g 26 |t Scene on the Verge of the Hay-Mead |g (starting p. 181) -- |g 27 |t Hiving the Bees |g (starting p. 191) -- |g 28 |t The Hollow Amid the Ferns |g (starting p. 195) -- |g 29 |t Particulars of a Twilight Walk |g (starting p. 201) -- |g 30 |t Hot Cheeks and Tearful Eyes |g (starting p. 209) -- |g 31 |t Blame -- Fury |g (starting p. 214) -- |g 32 |t Night -- Horses Tramping |g (starting p. 223) -- |g 33 |t In the Sun -- A Harbinger |g (starting p. 232) -- |g 34 |t Home Again -- A Trickster |g (starting p. 240) -- |g 35 |t At an Upper Window |g (starting p. 251) -- |g 36 |t Wealth in Jeopardy -- The Revel |g (starting p. 256) -- |g 37 |t The Storm -- The Two Together |g (starting p. 265) -- |g 38 |t Rain -- One Solitary Meets Another |g (starting p. 273) -- |g 39 |t Coming Home -- A Cry |g (starting p. 277) -- |g 40 |t On Casterbridge Highway |g (starting p. 282) -- |g 41 |t Suspicion -- Fanny Is Sent For |g (starting p. 289) -- |g 42 |t Joseph and His Burden -- Buck's Head |g (starting p. 300) -- |g 43 |t Fanny's Revenge |g (starting p. 312) -- |g 44 |t Under a Tree -- Reaction |g (starting p. 323) -- |g 45 |t Troy's Romanticism |g (starting p. 331) -- |g 46 |t The Gurgoyle: Its Doings |g (starting p. 336) -- |g 47 |t Adventures by the Shore |g (starting p. 344) -- |g 48 |t Doubts Arise -- Doubts Linger |g (starting p. 347) -- |g 49 |t Oak's Advancement -- A Great Hope |g (starting p. 353) -- |g 50 |t The Sheep Fair -- Troy Touches His Wife's Hand |g (starting p. 359) -- |g 51 |t Bathsheba Talks with Her Outrider |g (starting p. 374) -- |g 52 |t Converging Courses |g (starting p. 383) -- |g 53 |t Concurritur -- Horae Momento |g (starting p. 394) -- |g 54 |t After the Shock |g (starting p. 406) -- |g 55 |t The March Following -- "Bathsheba Boldwood" |g (starting p. 411) -- |g 56 |t Beauty in Loneliness -- After All |g (starting p. 416) -- |g 57 |t A Foggy Night and Morning -- Conclusion |g (starting p. 426) -- |t Notes |g (starting p. 433) -- |t Reading Group Guide |g (starting p. 467) -- |t A Note on the Text |g (starting p. 469) | |
| 651 | 0 | |a Wessex (England) |v Fiction. | |
| 650 | 0 | |a Women farmers |v Fiction. | |
| 650 | 0 | |a Farm life |v Fiction. | |
| 650 | 0 | |a Triangles (Interpersonal relations) |v Fiction. | |
| 655 | 7 | |a Pastoral fiction. |2 lcgft | |
| 655 | 7 | |a Didactic fiction. |2 lcgft | |
| 655 | 7 | |a Romance fiction. |2 lcgft | |
| 700 | 1 | |a Drabble, Margaret, |d 1939- | |
| 700 | 1 | |a O'Toole, Tess, |d 1962- | |
| 830 | 0 | |a Modern Library classics. | |
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