The masterpiece

a novel
Fiona Davis
large type - 2018

For the nearly nine million people who live in New York City, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different. For Clara, the terminal is the stepping stone to her future, which she is certain will shine as the brightly as the constellations on the main concourse ceiling. It is 1928, and twenty-five-year-old Clara is teaching at the lauded Grand Central School of Art. A talented illustrator, she has dreams of creating cover art for Vogue, but not even the prestige of the school can override the public's disdain for a "woman artist." Brash, fiery, confident, and single-minded--even while juggling the affections of two men, a wealthy would-be poet and a brilliant experimental painter--Clara is determined to achieve every creative success. But she and her bohemian friends have no idea that they'll soon be blindsided by the looming Great Depression, an insatiable monster with the power to destroy the entire art scene. And even poverty and hunger will do little to prepare Clara for the greater tragedy yet to come. Nearly fifty years later, in 1974, the terminal has declined almost as sharply as Virginia Clay's life. Full of grime and danger, from the smoke-blackened ceiling to the pickpockets and drug dealers who roam the floor, Grand Central is at the center of a fierce lawsuit: Is the once-grand building a landmark to be preserved, or a cancer to be demolished? For Virginia, it is simply her last resort. Recently divorced, she has just accepted a job in the information booth in order to support herself and her college-age daughter, Ruby. But when Virginia stumbles upon an abandoned art school within the terminal and discovers a striking watercolor hidden under the dust, her eyes are opened to the elegance beneath the decay. She embarks on a quest to find the artist of the unsigned masterpiece--an impassioned chase that draws Virginia not only into the battle to save Grand Central but deep into the mystery of Clara Darden, the famed 1920s illustrator who disappeared from history in 1931.

Saved in:

Holdings -

South Hill

Barcode Status Material Type CallNumber Availability
37413317550269 Available Fiction Large Print LGE-TYPE DAVIS  Place a Hold
Bibliographic Details
Main Author: Davis, Fiona, 1966- (Author)
Format: Book
Language:English
Published: New York : Random House Large Print, [2018]
Edition:First large print edition.
Subjects:
Click to Expand/Hide Other Versions -
Search Result 1
The masterpiece
a novel
Book
by Davis, Fiona, 1966-
Published 2018
 Place a Hold

MARC

LEADER 00000cam a2200000Ii 4500
001 668321
005 20190307114600.0
008 180730s2018 nyu d 000 1 eng
020 |a 9780525632962  |q (paperback) 
020 |a 0525632964  |q (paperback) 
035 |a (OCoLC)1046657460 
040 |a TDS  |e rda  |c TDS  |d INO  |d TNH  |d IGA  |d ZQP  |d SO$  |d ILC  |d TXKAR  |d ORK 
043 |a n-us-ny 
082 0 4 |a 813/.6  |2 23 
092 0 |a LGE-TYPE DAVIS 
100 1 |a Davis, Fiona,  |d 1966-  |e author. 
245 1 4 |a The masterpiece  |h [large type] :  |b a novel /  |c Fiona Davis. 
250 |a First large print edition. 
264 1 |a New York :  |b Random House Large Print,  |c [2018] 
300 |a 430 pages (large print) ;  |c 24 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
340 |n large print  |2 rda 
520 |a For the nearly nine million people who live in New York City, Grand Central Terminal is a crown jewel, a masterpiece of design. But for Clara Darden and Virginia Clay, it represents something quite different. For Clara, the terminal is the stepping stone to her future, which she is certain will shine as the brightly as the constellations on the main concourse ceiling. It is 1928, and twenty-five-year-old Clara is teaching at the lauded Grand Central School of Art. A talented illustrator, she has dreams of creating cover art for Vogue, but not even the prestige of the school can override the public's disdain for a "woman artist." Brash, fiery, confident, and single-minded--even while juggling the affections of two men, a wealthy would-be poet and a brilliant experimental painter--Clara is determined to achieve every creative success. But she and her bohemian friends have no idea that they'll soon be blindsided by the looming Great Depression, an insatiable monster with the power to destroy the entire art scene. And even poverty and hunger will do little to prepare Clara for the greater tragedy yet to come. Nearly fifty years later, in 1974, the terminal has declined almost as sharply as Virginia Clay's life. Full of grime and danger, from the smoke-blackened ceiling to the pickpockets and drug dealers who roam the floor, Grand Central is at the center of a fierce lawsuit: Is the once-grand building a landmark to be preserved, or a cancer to be demolished? For Virginia, it is simply her last resort. Recently divorced, she has just accepted a job in the information booth in order to support herself and her college-age daughter, Ruby. But when Virginia stumbles upon an abandoned art school within the terminal and discovers a striking watercolor hidden under the dust, her eyes are opened to the elegance beneath the decay. She embarks on a quest to find the artist of the unsigned masterpiece--an impassioned chase that draws Virginia not only into the battle to save Grand Central but deep into the mystery of Clara Darden, the famed 1920s illustrator who disappeared from history in 1931. 
520 |a 1928. For the people who live in New York City, Grand Central Terminal is a crown jewel, a masterpiece of design. For Clara Darden, the terminal is the stepping stone to her future. She is teaching at the lauded Grand Central School of Art, and dreams of creating cover art for Vogue. She's juggling the affections of two very different men-- with no idea they'll soon be blindsided by the looming Great Depression. In 1974 the terminal is full of grime and danger, from the smoke-blackened ceiling to the drug dealers who roam the floor. Recently divorced, Virginia Clay has accepted a job in the information booth to support herself and her daughter. Discovering an abandoned watercolor within the terminal, Virginia embarks on a quest to find the artist.-- adapted from back cover. 
610 2 0 |a Grand Central Terminal (New York, N.Y.)  |v Fiction. 
650 0 |a Artists  |v Fiction. 
650 0 |a Sexism  |v Fiction. 
650 0 |a Art schools  |z New York (State)  |z New York  |v Fiction. 
650 0 |a Women  |v Fiction. 
651 0 |a New York (N.Y.)  |v Fiction. 
650 0 |a Divorced women  |v Fiction. 
650 0 |a Women artists  |v Fiction. 
655 7 |a Historical fiction.  |2 lcgft 
655 7 |a Historical fiction.  |2 gsafd 
655 7 |a Mystery fiction.  |2 gsafd 
655 0 |a Large type books. 
948 |a LTI 10/18/2018 
949 |b 37413317550269  |c newlp  |d prta  |e LGE-TYPE DAVIS  |g it  |h 28.00  |q 1529218 
998 |a 2018.08.21 
999 f f |i a9d299c8-2211-5932-8b15-a7ad29f45e22  |s 0afe73f7-dbfc-5fb4-b4bd-a22b3ff54e6d  |t 0 
952 f f |p Standard Circulation  |a City of Spokane  |b Spokane Public Library  |c Branches  |d South Hill  |t 0  |e LGE-TYPE DAVIS  |h Other scheme  |i Fiction Large Print  |j None  |m 37413317550269